Depression

Let me tell you what depression feels like
It's a black hole sucking your happiness dry
It is darkness where there shoud be light
It is the feeling of dread and wanting to die

Sadness for not knowing how to live
or how to behave
and who to believe
it's feeling unloved and unwanted whatever they say
it is madness surrounded by pain

It's staring at the void
and let it in your brain
Swirl in a storm of self hatred and shame
believe you are nothing
and nothing is gained

It's disappearing into yourself
and falling deep into the abyss

it's a broken record of 'you are dead anyway
so why stay?'

depression is hell in my brain.

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Tired

Tired of this loneliness that nests in my heart

of these dark shadows that lurk all over my head

of my fuzzy brain

and my dark inner thoughts

just tired

of injustice and malice

of disagreements and fights

of blaming myself

of blaming others

of trying so hard when it leads to nothing

tired

of reaching out to emptiness

of smiling when it’s the case for weeping

of making mistakes and saying I’m sorry

tired

of being a mess of a human being

The thing is…

I’m just tired of everything.

 

Light x Darkness

Light x Darkness

This picture was taken on a particularly dark road in my city. There was just this tiny lamp at the end of the street. When I took this photo I was waiting for a darker image, an eerie feeling of doom. But what I got instead was that tiny light shining brightly in the background. It blew me away.

It left me with a feeling of “The Truth is Out There”.

20th Century Boys

 

                                                               

If anyone ever cared for my opinion and asked me about which mangas – aka Japanese comic books – are a MUST-READ, I would recommend two of Naoki Urasawa‘s in a heartbeat. One of them is Monster, which I will talk about in another post. The other one is 20th Century Boys.

I am a huge fan of Naoki Urasawa’s illustrations and his characters full of personality and charisma. I am an even bigger fan of the way he writes and paces his stories, slowly at first, and then more and more frantic as the plot develops. Then there is the element of mystery that keeps you on edge all through the narrative until the very end. I thought Agatha Christie was the only one in my heart when it comes to mystery, but I have to say that Naoki Urasawa has found a place next to her.

20th Century Boys follows the lives of four friends and the consequences of their choices and words. It starts in 1969, when Kenji, Otcho, Yoshitsune and Maruo are just kids. They build a secret hideout in an empty lot hoping to keep their secrets away from the adult world and other children, particularly bullies. Their secret base is a world of their own making where they share their hopes and dreams as well as mangas and porno magazines. Kids will be kids after all, and boys will certainly be boys. They even have a secret symbol drawn by Otcho in the figure of an eye inside a clutched hand. Their gang is later on joined by two other kids, Donkey and Yukiji (the only girl in their group). Being the most heroic of the bunch, Kenji picks up a notebook and starts writing and drawing a story about an apocalyptic future where they are the heroes, asking the others to help him with the plot. They call this notebook the Book of Prophecy. This book is obviously inspired by their favourite mangas, with wicked villains and giant robots, where good eventually overcomes evil.

As they grow older, their lives take different courses. Kenji becomes a frustrated guitar player and convenience store owner who lives with his mother and takes care of his baby niece Kanna (Kanna becomes a key character throughout the story). One day he hears on the news that his friend Donkey committed suicide. As he tries to find out more about the matter, his investigations lead him to a cult of a man known as ‘Friend’ who calls himself a prophet. This mysterious man who never shows his true face not only might be involved in Donkey’s death, but also seems to be using the Book of Prophecy to his own evil agenda. Thus Kenji begins to gather all of his old childhood friends to help him solve the mystery and  recollect past memories, as he fears that ‘Friend’ might be following the steps of the villain in the Book of Prophecy masquerading himself as the hero.

From then on there are many twists and turns that will keep you jumpy. The big mystery seems to be who ‘Friend’ is. Could he be one of the gang, or someone else entirely? As the events unfold and times passes, you grow quite fond of the characters and hopes that they will end this adventure unscathed. But will they? Well, that is something you have to find out on your own. And I hope you do.

 

 

 

Darkness

It was so dark outside she would not dare to leave the room. There were monsters in the dark, they said. She cuddled her teddy, drew her knees towards her chest and tried not to rock back and forth. She was not a little girl anymore. If she repeated that over and over, would it finally sink in? Maybe. Maybe not. And it was dark. So dark.

She closed her eyes. Her breath was short, her heart was heavy. She started trembling, but it was so silly. It was all so silly. Was her bed shaking or was it just her body? Her mind was spiralling out of control. There was a noise outside the door. She tensed. Footsteps came closer and then walked away. She sighed, conflicted. Should she call out for them? Wasn’t that what they told her once?

They lied, though. Calling out meant recrimination. Be strong. Be tough. Get happy. Dream. Go out. Live. And yet the only message that was always bright and clear was BE ALERT and BE AFRAID. It was all so confusing. Such a contradiction.

The footsteps were long gone. She felt relieved but also afraid. She wanted to call them back. She opened her lips then closed them slowly. She would not. She should not. She could not. She must not.

Her eyelids were now lead. Little by little, she fell asleep still holding on to her teddy, still holding on to her life.

Just another night.

It was so dark outside.

It was so dark inside.

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